The Moving Blade (Detective Hiroshi, Book 2) by Michael Pronko
Release date: September 30, 2018
Subgenre: International mystery, Japanese mystery
About The Moving Blade:
When the top American diplomat in Tokyo, Bernard Mattson, is killed, he
leaves more than a lifetime of successful Japan-American negotiations.
He leaves a missing manuscript, boxes of research, a lost keynote speech
and a tangled web of relations.
When his alluring daughter, Jamie, returns from America wanting answers, finding only threats, Detective Hiroshi Shimizu is dragged from the safe confines of his office into the street-level realities of Pacific Rim politics.
With help from ex-sumo wrestler Sakaguchi, Hiroshi searches for the killer from back alley bars to government offices, through anti-nuke protests to military conspiracies. When two more bodies turn up, Hiroshi must choose between desire and duty, violence or procedure, before the killer silences his next victim.
THE MOVING BLADE is the second in the Tokyo-based Detective Hiroshi series by award-winning author Michael Pronko.
When his alluring daughter, Jamie, returns from America wanting answers, finding only threats, Detective Hiroshi Shimizu is dragged from the safe confines of his office into the street-level realities of Pacific Rim politics.
With help from ex-sumo wrestler Sakaguchi, Hiroshi searches for the killer from back alley bars to government offices, through anti-nuke protests to military conspiracies. When two more bodies turn up, Hiroshi must choose between desire and duty, violence or procedure, before the killer silences his next victim.
THE MOVING BLADE is the second in the Tokyo-based Detective Hiroshi series by award-winning author Michael Pronko.
Excerpt:
Hideyasu Sato rarely took jobs involving foreigners. They usually lived in tall apartment buildings, kept little cash and had bad taste in valuables. But this job was pitched as an easy in-and-out with good pay and a light load.
Getting into the house was, as always in Tokyo, a cinch. He slid a small tension
wrench into the keyhole of the kitchen
delivery door, levered it up, poked in a rake pick, and after a few tickles, the lock plug spun loose and he was in.
The homeowner had just died, so Sato timed the break-in
during the funeral—the best time to rob anyone in Tokyo.
After the long ceremony, cremation took an hour or so, depending. Since the owner was famous—Bernard Mattson
was a name even Sato knew—the post-funeral chitchat by bigwigs would give him a further cushion.
Sato left his shoes by the door and stepped
into the stately, old house in the Asakusa
shitamachi “lower town” district of eastern Tokyo. The kitchen had surprisingly few modern
appliances and looked a little like he remembered his grandmother’s in the
countryside—spacious, simple, functional.
Walking into the living area, Sato admired
the exquisite wood beams and intricate
wood paneling. A tatami-floored room in Japanese style, empty save for a scroll, statue and vase, opened to the right. The main living room was Western style, with parquet floors that were wide and open, with a sofa, chairs, tree-trunk table
and Japanese
antiques.
Sato found the bookcase-lined study, and sat down at the computer
to copy the two files
he’d been hired to retrieve: “SOFA” and “Shunga.” It would be easy to download the files to two USB drives and erase the computer before carrying
the drives across town, but the computer was old and slow, the fan whirling
loudly as he downloaded the files. All around him, the wood frame house creaked like an old man’s bones.
When he’d downloaded one file on each of two separate USB drives, Sato could not help but look around,
impressed at the offset shelves, paulownia
tansu chests, and bamboo-sleeved pot hook dangling from the ceiling.
His grandmother had cooked with one of those. Many things in the room could be resold, but from the long shelves
along the wall, he pocketed four easy-to-carry netsuke carvings: a smiling frog, a tanuki raccoon-dog, and two of couples locked in sexual embrace. The netsuke were like ivory diamonds—
compact and easy to sell.
On the way out, Sato surveyed the kitchen. It was hard to guess where a foreigner
would tuck away cash, if at all, but he went with instincts honed by years of breaking in Japanese
homes. Inside an old tea cabinet, he found a cherry-bark box with
a false bottom
concealing a thick wad of ten thousand
yen notes.
Not so different, Sato chuckled to himself as he stuffed
the money in his pocket next to the netsuke and USB drives.
He slipped on his shoes, closed the door, exited through the garden and walked away as if he had lived in
the neighborhood all his life.
It wasn't until he was changing trains in Ueno that he noticed the foreigner.
It wasn't until he was changing trains in Ueno that he noticed the foreigner.
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About Michael Pronko:
Michael Pronko is a Tokyo-based author who
writes in three genres—murder, memoir and music. The compelling,
character-driven mysteries in his Detective Hiroshi series, set in Tokyo, have
won critic’s awards and five-star reviews. Three collections of writings about
Tokyo life, all award-winning, were taken from his popular column in Newsweek Japan. Kirkus Reviews called the third collection, “An elegantly written,
precisely observed portrait of a Japanese city and its
culture." Michael also runs the site, Jazz in Japan, reviewing, interviewing and pondering the meaning of
the vibrant jazz scene in Tokyo and Yokohama.
Michael studied philosophy as an undergrad
before taking off to travel for several years. After more traveling, more
degrees, and several years teaching in China, Michael settled in Tokyo as a
professor of American Literature at Meiji Gakuin University. He teaches classes
on contemporary American novels, film adaptations, music and art. He has
written regular columns for: The Japan Times, Newsweek Japan, Jazznin, and
Artscape Japan, amongst others. He lives in western Tokyo with his wife and his
Japanese garden.
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