Interview with J. David Core, author of the Lupa Schwartz Mysteries
The Indie Crime Scene is pleased to interview J. David Core, author of the Lupa Schwartz Mysteries. His latest book, On the Side of the Angel, a story in the new Bartering Angel series, was released on June 7, 2017. This interview was conducted by Dennis Chekalov and Cora Buhlert.
1. How did you
become a writer?
My dad was an avid reader, and a few members of my family were born
with the gift to tell a story. My grandfather could keep a bar full
of people enthralled with a story about his day, and my brother can
take the most mundane story about an incident at work and make it
the funniest thing you ever heard.
I, on the other hand, have a few speaking hurdles to contend with. For one, I talk far too fast, even when I try to speak in slow and measured sentences, and while I have a reasonably competent vocabulary, I sometimes can’t quite recall the words I’m looking for. As a result, I’ve learned that the best way for me to get a point across is to write a note or essay.
I, on the other hand, have a few speaking hurdles to contend with. For one, I talk far too fast, even when I try to speak in slow and measured sentences, and while I have a reasonably competent vocabulary, I sometimes can’t quite recall the words I’m looking for. As a result, I’ve learned that the best way for me to get a point across is to write a note or essay.
And since my dad loved reading, I became a student of story
structure.
I also was the best drawer in my class growing up, so for years I
thought I’d be a cartoonist or animator or graphic novelist when I
grew up. I even went to art school out of High School, but I
quickly became disillusioned with illustration. I had written some
plays in high school for our drama class, and eventually, all of
these discordant things came together and I realized that what I
really wanted to do was write.
2. You write in
different genres. What’s your favorite? Why?
I’d have to say crime-thrillers. I began writing in the sci-fi genre because I loved Star Trek and Isaac Asimov, but I realized after a few stories, that even when I was writing in that genre the roots of my stories were always crime stories and thrillers. A novel I wrote about how a man learns that everyone he knows is a robot studying him on an alternate Earth in prep for an invasion of the real Earth has very little sci-fi in it. It’s basically a story about three real people who find each other and go into hiding as they plot to defeat their enemy. My time travel novella is about a vendetta to kill the man who ruined the hero’s life.
I’d have to say crime-thrillers. I began writing in the sci-fi genre because I loved Star Trek and Isaac Asimov, but I realized after a few stories, that even when I was writing in that genre the roots of my stories were always crime stories and thrillers. A novel I wrote about how a man learns that everyone he knows is a robot studying him on an alternate Earth in prep for an invasion of the real Earth has very little sci-fi in it. It’s basically a story about three real people who find each other and go into hiding as they plot to defeat their enemy. My time travel novella is about a vendetta to kill the man who ruined the hero’s life.
When I switched to mysteries, my novels were pastiche of the Nero
Wolfe series, but there’s a progression from novel to novel with
the first being straight who-dunnit; the second being part
who-dunnit and part heist; the third full novel is barely
who-dunnit, and is more procedural and psychological thriller;
and the last one is a Dan Brown style conspiracy
thriller with a little who-dunnit thrown in for good measure.
But lately I’ve been focused more on the crime angle. I put out a
collection of eight noir stories, and my new novel coming out this
month is about a woman with a secret identity who is working as a
fixer for the syndicates biding her time until she can find and
destroy the man who murdered her family.
As for why it’s my favorite genre – I think I’d have to say because
I’m drawn to characters who skirt the social contract. We think, in
America, that we have freedom, but we really don’t. And it’s weird
that I’m so drawn to this in fantasy, because in my real life I’m
the straightest straight-arrow in the quiver. I’m not a libertarian
or an anarchist by any stretch, although I do hate when I see the
police state rear its head, and I love the idea of life after an
EMP takes out the grid and we’re all forced to live by our wits. I
don’t know. I guess by writing crime thrillers I get to vicariously
live the rebellion I never want to actually see take place, but I
love to fantasize about.
3. One of your main
characters, Lupa Schwartz, is often compared to Sherlock Holmes. How
have you created this character?
Ironically, I patterned Schwartz after Nero Wolfe who was patterned after Holmes. Rex Stout was a huge fan of Sir Arthur Conan Doyle, the man who created Holmes and Watson. When he created Nero Wolfe he took all of the tropes that made Holmes who he was and tweaked them, then he gave him a Watsonian foil who was patterned after the popular gumshoes of the day. Where Holmes was thin, he made Wolfe fat. Where Holmes was a musician, he made Wolfe a collector and cultivator of orchids. Etc.
Ironically, I patterned Schwartz after Nero Wolfe who was patterned after Holmes. Rex Stout was a huge fan of Sir Arthur Conan Doyle, the man who created Holmes and Watson. When he created Nero Wolfe he took all of the tropes that made Holmes who he was and tweaked them, then he gave him a Watsonian foil who was patterned after the popular gumshoes of the day. Where Holmes was thin, he made Wolfe fat. Where Holmes was a musician, he made Wolfe a collector and cultivator of orchids. Etc.
And there is also speculation that Rex Stout intended for Wolfe to
be the illegitimate lovechild of Holmes and Irene Adler. So I took
some similar liberties and made my character the grandson of Wolfe
through his “adopted” daughter, Carla Lovchen; then I tweaked the
tropes that made Wolfe Wolfe. Where Wolfe is a misogynist, my
character, Schwartz, is a womanizer and a bit of a feminist. Where
Wolfe is afraid of cars, I made Schwartz a collector of cars
instead of orchids. Schwartz, like Wolfe, enjoys beer, but he’s
less of a snob about it. They both love to eat, but Schwartz is
more fit because he’s more active. He’s less a gourmet and more a
foodie.
Then there’s the name. Schwartz means black. Lupa means wolf.
Actually it means she-wolf, but there’s a Wolfe-based reason for
that as well. In Stout’s series, the name Nero is presumed to be
after the Roman emperor, but in a few of the books, Wolfe claims to
have been named not for the man but for the mountain. The mountain
in question is Montenegro – which means “black mountain.”
Meanwhile, Wolfe’s daughter has taken the name Lovchen – which is
also a mountain in the Balkan region. My character needed to be
named for a mountain, he needed to be named for the color black,
and he needed to be named for a wolf. In the Arctic there is a
mountain called Lupa, near the Romulus and Remus glaciers and
neighboring a mountain called Black Thumb.
4. Please tell us
about your Watson-like character, Cattleya Hoskin.
I knew two things about my Watson character going in. One was that he or she was going to be the offspring of Archie Goodwin (the gumshoe Watson to Wolfe’s Holmes.) The other was that he or she was going to be a writer because that would give him or her a reason to write the adventures.
I knew two things about my Watson character going in. One was that he or she was going to be the offspring of Archie Goodwin (the gumshoe Watson to Wolfe’s Holmes.) The other was that he or she was going to be a writer because that would give him or her a reason to write the adventures.
I noticed something about the Watson/Goodwin paradigm. Their names
were poetically similar in meter and beat. So I decided to give my
character a similar last name, and I settled on Hoskin when I
researched the meaning and found it to be satisfyingly neutral. (It
means a maker and seller of socks.) This meant I had to make her
female as well. Otherwise, as Archie’s son, his name would be
Goodwin. By making her a divorcee I solved the name problem, and I
gave her a reason to be seeking an adventure. It also helped that
the trend in mysteries is for a strong female lead.
Next I decided that her first name should be Cattleya, which is a
sub-genus of orchid. Her father would be fond of the name, and her
mother wouldn’t mind – her own name being Lily which is also a
flower. (Lily Rowan is a recurring love interest of Archie Goodwin
in the Nero Wolfe stories.)
So now all that was left was to determine the dynamic of the two
characters. I decided to make Cattleya strong willed – like her
father, and clever, and because of her back story to also make her
unwilling to be shown up by a man – even the great Lupa Schwartz. I
also thought it would humanize her to give her romantic stumbling
blocks. She couldn’t be the suave femme fetale we’d expect Archie
Godwin’s offspring to be, so I patterned that much of her
personality on Janet Evanovich’s Stephanie Plum.
Then, since I had decided that Schwartz would be pro-woman, and a
bit of a showboat, he’d be happy to have his case files chronicled
by a smart young woman. But his ego would never let her show him
up. After that, their relationship worked itself out. It’s
entirely platonic, a little competitive, and frustrating and
enthralling to each of them.
5. On the Side of
the Angel is the first release in a planned multi-author series.
Why did you decide to take part in a multi-author series?
Actually, the series was my idea. I heard in an interview a romance
author talking about a series she’d taken part in where each author
had written her own story but there was a shared character, a
matchmaker. I thought it was a great idea, and it dawned on me that
mystery and thriller writers could do something similar with an
archetypical crime character like an assassin or a thief. I put the
idea out in a message board and wrote to a few authors I know
personally, and pretty soon we were collaborating on a back story
for a “fixer” character.
Ultimately, I’m hoping that at least six authors will write
Bartering Angel stories. I know at least two others have the
frameworks for their stories in the can. Then I want to open the
series up for other writers who are not in the core group. The
character begins her career in 2005 and continues to present day,
and she moves from place to place and keeps changing her name and
modus operandi, so this gives other writers a wide berth for
creating scenarios and incorporating her into their pre-existing
worlds if they choose.
The hope is that a reader will find the character in one author’s
story and follow her to the world of another writer, and perhaps
become hooked into a whole different series on the way. But even if
a writer puts her in a stand-alone tale, he or she might still find
a new fan.
6. Who is your new
character, Lina Forman?
Lina Forman is a nom-de-guerre. It’s an assumed identity of the Bartering Angel, a woman who has faked her death in order to seek revenge on the man responsible for the death of her mother, father, and aunt. In 2005, she turns up in Pittsburgh with a fake student ID card, some cash, the clothes on her back, a satchel of bogus identities, and nothing else. In her previous life, she learned survivalism from her father as a child in the Alaska wilderness.
Lina Forman is a nom-de-guerre. It’s an assumed identity of the Bartering Angel, a woman who has faked her death in order to seek revenge on the man responsible for the death of her mother, father, and aunt. In 2005, she turns up in Pittsburgh with a fake student ID card, some cash, the clothes on her back, a satchel of bogus identities, and nothing else. In her previous life, she learned survivalism from her father as a child in the Alaska wilderness.
After her parents’ deaths, she moved in with her aunt, a brilliant
chemist who taught her science and a local boy taught her about
computers (and hacking on the side). She then joins the military
where she joins a spec ops team, before she discovers that she
suffers from mild xenophobia, a condition that prevents her from
becoming a military policeman. Back in civilian life, she decides
to go to police academy to learn forensics, but again her
xenophobia (and her aunt’s sudden illness) prevents her from moving
forward. As she cares for her aunt from home, she continues her
studies in police forensics on her own.
By the time her aunt is killed and she is framed for the murder,
she has acquired a broad range of skills making her the perfect
fixer for the mob. All of this back story is only hinted at in my
story, but my next project is a prequel spelling out her entire
story leading into my novel.
My story is her first job as the Bartering Angel. A local strip
club owner who also runs heroin for the mob hires her to keep his
son out of jail after the son and his girlfriend accidentally
murder a convenience store clerk during a petty robbery. She
collects a cash payment for doing the job, but she also collects
indebted mobsters who owe her a return favor which she can call in
whenever the need arises.
7. Will you continue
your Lupa Schwartz series?
There will be at least one maybe two more books in the series. The
next book in the series will be a collection of three short
novellas, similar to the omnibus collections Rex Stout frequently
released in the Wolfe series – which was also something Conan Doyle
sort of did with Holmes who appeared in both short and long form
stories. If there’s another full length novel it will be dictated
by current events. So it depends on what is happening in the world
in a few years.
8. Will Lina Forman
and Lupa Schwartz meet in some crossover? If they had to fight
against each other, who would win?
I have no plan to face them off against each other, although in my Lina Forman story she is helped by a character named Jackie Viadeckid who also helps Lupa Schwartz in one of my stories. So it’s possible there will be a Viadeckid story at some point in which both characters (Lina and Lupa) appear. We shall see.
I have no plan to face them off against each other, although in my Lina Forman story she is helped by a character named Jackie Viadeckid who also helps Lupa Schwartz in one of my stories. So it’s possible there will be a Viadeckid story at some point in which both characters (Lina and Lupa) appear. We shall see.
But Lina meets Jackie in 2005, and then she abandons the name Lina
and heads off on her own adventures. Lupa meets Jackie a decade
later, and uses Jackie to hide out as he changes his appearance to
go undercover in an assumed identity of his own. I can’t imagine
that their paths would cross in a way that wasn’t forced.
As for the character Jackie Viadeckid. He’s a very interesting
personality. His parents were paranoid conspiracy theorists who
never reported his birth to authorities, so he lives in an
underground bunker on his family farm where he makes moonshine for
a living and studies anything from the NWO to alien abductions and
everything in between.
If Lina and Lupa ever came up against each other though, I think
Schwartz would figure her secrets out, and keep it to himself. He’s
kind of an anti-establishment type that way too. For example, he
refuses to own a cell phone because he doesn’t believe in the
telecom solution to the area code shortage from the nineties.
9. In your opinion,
should series characters change?
Characters are people. There has to be growth and adaptability. But people don’t tend to change easily.
Characters are people. There has to be growth and adaptability. But people don’t tend to change easily.
10. What’s more
important for your characters, Law or Justice?
That’s a great question. For both Lina and Lupa, justice is the most important thing. Lina is looking for a personal justice. Lupa seeks the moral justice in each case. If he has to break the rules to get it, he’s fine with that.
That’s a great question. For both Lina and Lupa, justice is the most important thing. Lina is looking for a personal justice. Lupa seeks the moral justice in each case. If he has to break the rules to get it, he’s fine with that.
11. What's your favourite
mystery or crime fiction character not created by you?
That’s easy; Walter White. Breaking Bad is the best crime genre story ever created. I love everything about it. The arc of how Walter goes from straight arrow to ruthless murderer is brilliant, and he does it all while never actually changing who he is. Even when he was a straight arrow chem teacher with a wife and son, he had Heisenberg in him.
That’s easy; Walter White. Breaking Bad is the best crime genre story ever created. I love everything about it. The arc of how Walter goes from straight arrow to ruthless murderer is brilliant, and he does it all while never actually changing who he is. Even when he was a straight arrow chem teacher with a wife and son, he had Heisenberg in him.
12. What’s the most
important thing in writing to you?
Story. Character matters. Phrasing and tempo and style, all of that
is important; but if there is no foundation of story, nothing else
means anything.
13. You also run a crime fiction and mystery podcast, Thrills & Mystery. Could you tell us a little about that?
It’s called the Thrills and Mystery Podcast. The way it came
about is I heard of a site called podiobooks, and I went looking to
see if it was a place I could put my work. While there I discovered
Seth Andrews and a podcast he ran for a short while called the
crime WAV where he allowed other new-comer writers to put episodic
stories. I wrote a story for his podcast and then went looking to
submit but learned that it was no longer live. So I decided to pick
up the torch.
Four seasons later I’m still going strong. Some of the stories are
mine. Some are other writers who I invite to submit. Some are very
short, and there might be three stories in an episode. Others are
longer, and a single story might be broken up over three or more
episodes. Genre doesn’t matter so long as there is an element of
suspense or intrigue.
Between seasons I do interview episodes where I invite an author to
tell us about his or her stories with an emphasis on the stories
and not so much on craft.
I’ve never sold advertising or asked for donations. After all, I
don’t pay the authors for the use of their stories. So it would
hardly be fair to profit from them. My hope is that a few listeners
become fans and readers of my contributors or maybe even of my
stuff. Anyone interested can find the podcast at
thrillsandmystery.com, and they can subscribe to the rss feed or
subscribe through iTunes or Stitcher.
About J. David Core:
With a profound interest in religion, liberal politics and humor,
Dave began writing in High School and has not given up on it since. His
first professional writing jobs came while attending the Art Institute
of Pittsburgh when he was hired to create political cartoons for the
Pitt News & to write humor pieces for Smile Magazine.
Dave has worked in the newspaper industry as a photographer, in the online publishing industry as a weekly contributor to Streetmail.com, and was a contributing writer to the Buzz On series of informational books and to the Western online anthology, Elbow Creek. Dave’s science fiction novel, Synthetic Blood and Mixed Emotions, is available from writewordsinc.com. Dave currently resides in his childhood home in Toronto, OH with his beautiful girlfriend and his teenage daughter.
He enjoys participating in local community events & visiting with his two adult children and his grandkids.
Dave has worked in the newspaper industry as a photographer, in the online publishing industry as a weekly contributor to Streetmail.com, and was a contributing writer to the Buzz On series of informational books and to the Western online anthology, Elbow Creek. Dave’s science fiction novel, Synthetic Blood and Mixed Emotions, is available from writewordsinc.com. Dave currently resides in his childhood home in Toronto, OH with his beautiful girlfriend and his teenage daughter.
He enjoys participating in local community events & visiting with his two adult children and his grandkids.
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